This is the first dispatch from “Our Man in Tribeca” Ioannis Pappos, who is covering the 2012 Tribeca Film Festival (April 18-29).
In part, we owe the Tribeca Film Festival to Al Qaeda. After the 9/11 attacks, Robert De Niro co-founded the festival to raise the spirit and economy of Lower Manhattan. Ten years and five thousand screenings later, the festival’s Doha Tribeca spin-off is well established in Qatar. De Niro’s way of teaching fanatics a lesson in their own backyard? Or just another convenient symbiosis between super-rich Arabs and independent filmmakers?
I took my first stroll through Tribeca in the spring of 1993, soon after I moved to New York. I recall the neighborhood’s architecture resembling the trendy, then-gallery-packed Soho: the same textile cast-iron buildings. But the similarities stopped here. Once you crossed Canal Street, you relaxed. Tribeca was the quieter, less viable downtown. The conversion of buildings into condos had already begun, but the blocks retained an 80’s undiscovered artists-lofts feel. A sort of no-man’s land, where alienated walkers disappeared. Night-lights were few and far between. People went to Odeon, a restaurant as noir as its neighborhood, and to De Niro’s Tribeca Bar and Grill, a space as elusive as its famous owner, an actor notorious for his privacy. After two decades of hyper-invasive journalism, we still know very little about De Niro’s personal life. More…
