When filmmaker Avery Willard didn’t use the penname Bruce King, he developed his films under the title of Ava-Graph Films. These pieces weren’t for commercial use, they were the kind of art he would create in his apartment specifically targeted for a small audience, then tucked away in a box until now. This coming weekend, In Search of Avery Willard will screen with a rare full program of Willard films, Unveiling Avery Willard, at the International Film Festival Rotterdam, January 26th and 27th. More…
Tag Archives: Cinema
On Keep the Lights On, script supervisor Veronica Lupu played a crucial part in translating an elliptical script, set over ten years, into a movie that could be deciphered by an audience.
Lupu started working as a “script girl” in Romania in the early 70’s before moving to New York in the 1980’s. She worked with some of the top-Romanian directors at the time, including Radu Gabrea and Geo Saizescu, and it’s clear she has a a rich understanding of cinema history. Her American credits include We Own the Night (2007), Enchanted (2007), and previously with Ira Sachs on Forty Shades of Blue (2005). She also serves on the board of the Local 161, a production union that includes script supervisors.
When we met, Veronica was in pre-production on the Katie Holmes-vehicle, Molly (this took place before it became her divorce/defection was publicized). Her pre-production binder is is one of the most incredibly organized I’ve ever seen.
What is a script supervisor?
Someone who is in charge of continuity of the movie. The movie is being done in little pieces – it’s not done in the consecutive order according to the script. So the script supervisor is the one who makes sure that when these pieces will be put together, everything has to match.
And it’s not just narrative, it’s also performance related.
Everything! Camera angles…the right dialogue…wardrobe, everything matches from the scene you shot previously two weeks ago and is continuous in the story.
Matt Wolf is a New York filmmaker whose documentaries focus on music, teenagers, and artists who he describes as gentle gays. He made the film Wild Combination (2008) about the avant-garde cellist and disco producer, Arthur Russell (whose music is used in Keep The Lights On). Currently, Wolf is working on Teenage, a documentary about the invention of youth. While working on Teenage, Wolf created a short film, “I Remember: A Film About Joe Brainard”, where he pays tribute to one of his favorite artists and writers, Joe Brainard. Like Arthur Russell, Brainard’s life ended prematurely due to AIDS.
Exciting news!! IN SEARCH OF AVERY WILLARD has officially wrapped post-production and will begin touring festivals this summer! Produced concurrently and in partnership with KEEP THE LIGHTS ON, this companion documentary short chronicles the life and work of one of queer art’s most fascinating and elusive innovators.
We are proud to announce that IN SEARCH OF AVERY WILLARD will have it’s official world premiere at the 2012 New Jersey International Film Festival! The festival will take place from June 1-17, and ISOAW will premiere on Sunday, June 10th at 7:00pm in Vorhees Hall on the Rutgers University campus. For details and ticket information, click HERE.
Many more exciting festival announcements are on the way, and we are so grateful to have the opportunity to finally share this film with the world. However, in order to do so, WE NEED YOUR HELP!
We’re in the homestretch, but this final leg – the distribution phase – requires funding for travel and exhibition materials that exceeds our micro production budget. Today marks the launch of our 30-day Kickstarter campaign to raise the necessary funds for our festival tour. We are asking YOU to help IN SEARCH OF AVERY WILLARD reach audiences around the world by making a donation. As a token of our gratitude, we are offering a variety of unique rewards for contributors.
Watch our Kickstarter video above and CLICK HERE TO MAKE A DONATION!
Please help us spread the word by re-posting the campaign link on social media and sharing with family and friends. On behalf of the entire ISOAW team, thank you in advance for your generosity and support!
Director, In Search of Avery Willard
I saw press crying at Tribeca’s pre-festival screenings. Actually, I heard them sobbing in the dark. Old-timers here told me it rarely happens. If ever. “Never.” So why was I so “lucky?”
Maybe it’s the recession, but man’s isolation in his fight against the “machine” is at the festival’s core. “When you’re cut off from social network you get lonely and die,” an artist explains in Antonino D’Ambrosio’s breathtaking Let Fury Have The Hour. But before death, Tribeca shows how haunted we are. A rallying cry of a fight we can’t resist. My first week here I felt depressed and encouraged all at once. More…
I love Star Wars. There’s no ifs, ands, or buts. It is a simple fact. Over the years I have collected a small parcel of Star Wars merchandise that is prominently displayed in my apartment. I never thought I’d look like such a nerd, but in fact, I do. This results in a fair amount of teasing and ribbing from friends and acquaintances. When these jibes occur, I think about my love of George Lucas’ fantasy epic and I wonder exactly why it has affected me so much.
When I was in fifth grade, I entered my first day of classes ready to make new friends and reconnect with old ones. During the first week I kept hearing rumblings about a movie everyone loved called Star Wars. Being a movie junkie today, I find it almost alarming that I had no idea what they were all talking about. But the more they told me, the more I was intrigued. More…